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Post Info TOPIC: The Curse


Guru

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RE: The Curse
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Number codes have even deeper meanings than the more obvious ones of days, months and the zodiac. Numbers also represent vibrational frequencies. Every frequency resonates to a certain number, colour and sound. Some frequencies, represented by numbers, colours and sounds, are particularly powerful. Symbols also represent frequencies and they affect the subconscious without the person realising it is happening.

The Chief Priest in the Egyptian temples was called EOVE or EOVA, hence
the emergence of the name Jehovah, and the Hebrew language is the sacred language of the Egyptian mystery schools.The general language of Egypt was called CBT, QBT or CBT, and is better known as Copt or Coptic. The sacred language of the mystery schools took its name from OBR or ABR which, in these times, meant the passage from one place to another and a transition of some kind. Exactly the point of the original mystery school teachings, a transition to greater enlightenment. ABR became Ambres, the name of the holy doctrine reserved for initiates, and it was also written as Ambric, Hebric, Hebraic and... Hebrew. The Hebrew alphabet has 22 letters, but the original, before the time of ‘Moses’, only contained ten, and its true meaning was known only to the priests.

Hebrews were not Israelites or Jews, they were initiates of the Egyptian mystery schools, or at least their founders were. No wonder it has proved impossible to identify a genetic Hebrew or Jewish ‘race’. Cohen, the Jewish name for priest, comes from Cahen, the Egyptian pronunciation for a priest and a prince.circumcision, that uniquely ‘Jewish’ tradition, came from the Egyptian mystery schools and was performed at least
as far back as 4,000 BC. You could not be initiated unless you were circumcised. The Hebrew religion did not exist in Egypt and there was no Hebrew law because there was no Hebrew ‘race’. The only worship was Egyptian worship. The Hebrew religion, language and race only emerged when initiates of the Egyptian mysteries, later to be known as Levites, took the knowledge out of Egypt and invented a whole history to
cover what they were doing, who they were working for and where they came from. The terms ‘Hebrew’ and ‘Judaism’ are another way of saying Egyptian. This is one reason why we have the constant use of symbols by today’s Brotherhood which relate to Egypt.

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Labyrinths and mazes were favored places of initiation among many ancient cults. Remains of these mystic mazes have been found among the American Indians, Hindus, Persians, Egyptians, and Greeks. Some of these mazes are merely involved pathways lined with stones; others are literally miles of gloomy caverns under temples or hollowed from the sides of mountains.

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The identity of the Greco-Egyptian Serapis (known to the Greeks as Serapis and the Egyptians as Asar-Hapi) is shrouded by an impenetrable veil of mystery. While this deity was a familiar figure among the symbols of the secret Egyptian initiatory rites, his arcane nature was revealed only to those who had fulfilled the requirements of the Serapic cultus. Soros was the name given by the Egyptians to a stone coffin, and Apis was Osiris incarnate in the sacred bull. These two words combined result in Soros-Apis or Sor-Apis, "the tomb of the bull." Serapis was a name for the Sun, because his image so often had a halo of light about its head. "One Jove, one Pluto, one Sun is Serapis." In Hebrew, Serapis is Saraph, meaning "to blaze out" or "to blaze up." For this reason the Jews designated one of their hierarchies of spiritual beings, Seraphim.

The most common theory, however, regarding the origin of the name Serapis is that which traces its derivation from the compound Osiris-Apis. At one time the Egyptians believed that the dead were absorbed into the nature of Osiris, the god of the dead. While marked similarity exists between Osiris-Apis and Serapis, the theory advanced by Egyptologists that Serapis is merely a name given to the dead Apis, or sacred bull of Egypt, is untenable in view of the transcendent wisdom possessed by the Egyptian priestcraft, who, in all probability, used the god to symbolize the soul of the world (anima mundi). The material body of Nature was called Apis; the soul which escaped from the body at death but was enmeshed with the form during physical life was designated Serapis.


Meanings suggested for the word Serapis are: "The Sacred Bull," "The Sun in Taurus," "The Soul of Osiris," "The Sacred Serpent," and "The Retiring of the Bull." The last appellation has reference to the ceremony of drowning the sacred Apis in the waters of the Nile every twenty-five years.
The famous statue of Serapis in the Serapeum at Alexandria was originally worshiped under another name at Sinope, from which it was brought to Alexandria. There is also a legend which tells that Serapis was a very early king of the Egyptians, to whom they owed the foundation of their philosophical and scientific power. After his death this king was elevated to the estate of a god. Phylarchus declared that the word Serapis means "the power that disposed the universe into its present beautiful order."

In a labyrinth sacred to Serapis stood a thirteen-foot statue of him reputed to have been made from a single emerald. Modern writers, discussing this image, state that it was made of green glass poured into a mold. According to the Egyptians, however, it withstood all the tests of an actual emerald.

Clement of Alexandria describes a figure of Serapis compounded from the following elements: First, filings of gold, silver, lead, and tin; second, all manner of Egyptian stones, including sapphires, hematites, emeralds, and topazes; all these being ground down and mixed together with the coloring matter left over from the funeral of Osiris and Apis. The result was a rare and curious figure, indigo in color. Some of the statues of Serapis must have been formed of extremely hard substances, for when a Christian soldier, carrying out the edict of Theodosius, struck the Alexandrian Serapis with his ax, that instrument was shattered into fragments and sparks flew from it. It is also quite probable that Serapis was worshiped in the form of a serpent, in common with many of the higher deities of the Egyptian and Greek pantheons.

Serapis was called Theon Heptagrammaton, or the god with the name of seven letters. The name Serapis (like Abraxas and Mithras) contains seven letters. In their hymns to Serapis the priests chanted the seven vowels. Occasionally Serapis is depicted with horns or a coronet of seven rays. These evidently represented the seven divine intelligences manifesting through the solar light.

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The Egyptian secret school of philosophy was divided into the Lesser and the Greater Mysteries, the former being sacred to Isis and the latter to Serapis and Osiris. Much of the information concerning the rituals of the higher degrees of the Egyptian Mysteries has been gleaned from an examination of the chambers and passageways in which the initiations were given. Under the temple of Serapis destroyed by Theodosius were found strange mechanical contrivances constructed by the priests in the subterranean crypts and caverns where the nocturnal initiatory rites were celebrated. These machines indicate the severe tests of moral and physical courage undergone by the candidates. After passing through these tortuous ways, the neophytes who Survived the ordeals were ushered into the presence of Serapis, a noble and awe-inspiring figure illumined by unseen lights.

Serapis(Minotaur-like) with the body of a man and the head of a bull. Labyrinths were symbolic of the involvements and illusions of the lower world through which wanders the soul of man in its search for truth. In the labyrinth dwells the lower animal man with the head of the bull, who seeks to destroy the soul entangled in the maze of worldly ignorance. In this relation Serapis becomes the Tryer or Adversary who tests the souls of those seeking union with the Immortals. The maze was also doubtless used to represent the solar system, the Bull-Man representing the sun dwelling in the mystic maze of its planets, moons, and asteroids.

Serapis is often shown standing on the back of the sacred crocodile, carrying in his left hand a rule with which to measure the inundations of the Nile, and balancing with his right hand a curious emblem consisting of an animal with the heads. The first head--that of a lion--signified the present; the second head--that of a wolf--the past; and the third head--that of a dog--the future. The body with its three heads was enveloped by the twisted coils of a serpent. Figures of Serapis are occasionally accompanied by Cerberus, the three-headed dog of Pluto, and--like Jupiter--carry baskets of grain upon their heads.

Christian Era. In A.D. 385, Theodosius, that would-be exterminator of pagan philosophy, issued his memorable edict De Idolo Serapidis Diruendo. When the Christian soldiers, in obedience to this order, entered the Serapeum at Alexandria to destroy the image of Serapis which had stood there for centuries, so great was their veneration for the god that they dared not touch the image lest the ground should open at their feet and engulf them. At length, overcoming their fear, they demolished the statue, sacked the building, and finally as a fitting climax to their offense burned the magnificent library which was housed within the lofty apartments of the Serapeum. Several writers have recorded the remarkable fact that Christian symbols were found in the ruined foundations of this pagan temple. Socrates, a church historian of the fifth century, declared that after the pious Christians had razed the Serapeum at Alexandria and scattered the demons who dwelt there under the guise of gods, beneath the foundations was found the monogram of Christ!

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KHAEMWESE: (AE; MK) HPP

A principal son (the 4th son) of Ramses II. AKA KHAEMWASET.



AKA Kahaemwat

http://www.ahram.org.eg/weekly/2001/553/tr4.htm



(as per K. Weeks) see the stories of Setne Khaemwese. These stories herald his intellect and magic. He ruled as (HPP) The High Priest of Ptah, and earlier in life as a lesser sem-priest.

A brother or half brother to Merenptah.

See Great Temple of Ptah at Memphis.

Examine stone (temple fragment) at the Royal Scottish Museum.



(as per Lesley-Ann Liddiard, Department of History and Applied Art, National Museums of Scotland)

The Royal Scottish Museum is now known as the Royal Museum, which is part of the National Museums of Scotland.

The fragment in question is registration number:

A.1908.364

Described: “Column, part of a clustered papyrus-bud column, limestone consisting of four deep flutings on the lower half; and above a lashing, three flutings on upper half with panel showing in low relief a figure of the King’s son Khaemwese wearing the side-lock and panther skin of a setem [sem] priest facing left…Excavated in the temple of Ptah at Memphis.



Origin: XIX Dynasty.



Published: See Petrie, [B_198], “Memphis I”, plate 10.





See also Serapeum re. Apis; the wrapping of the ceremonial deity bull.



[W_044,rvw] WATSON# 532T34 B21. "Notizia sommaria degli scavi della missione archeologica italiano in Egitto, anno 1903 : valle delle regine / F. Ballerini. Torino, 1903.

Note: Khaemwaset tomb at QV.

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