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The Franklin Files -> The Occult -> Enochian Angels Magic-Trumpeters-Sigils of Seven (Samael)
Post Info TOPIC: Enochian Angels Magic-Trumpeters-Sigils of Seven (Samael)
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RE: Enochian Angels Magic-Trumpeters-Sigils of Seven (Samael)
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More from monas.nl's article the Rune-Cross of Johannes Bureus:
Bureus saw his runic system as the mediator between the divine and human worlds. The creative word of God is the mediator between Him and His creation. Consequentally Bureus saw the runes as the divine or original language.
The article elaborates further on the different theories by the two writers Karlsson and Flowers. The L sign on the left hand of the Rune Cross is thought to represent Saturn and the entire numerical value if the left arm of the cross is 794, which according to Bureus is the number of years between the conjunctions of Jupiter and Saturn. Could also the Lagher rune that is at the end of the left arm (right to the viewer), be a reference to the “Left-Hand Path"?

When we continue to read we discover even more connections between Bureus runecross and the number seven:
Seven-Rune Height
The vertical beam has seven runes, which Karlsson says are the seven steps upward and downward in the process of initiation. In Bureus' hieroglyph you have to ascend from "Byrghal" (representing two gates, for 'coming in' on the way down and 'coming out' on the way back up) to "Thors", the latter representing the God Thor. "The connector in this process is Odin who is represented by Haghal". This is a strange remark, because Odin has his own rune, the "Odhes".

Karlsson gives some (possible) meanings to the seven runes of the 'Seven-Rune Height' (as Bureus called it), but I will continue where Karlsson connects the seven runes with the seven stages of alchemy. Bureus supposedly wrote a book called Cabalistica in which he gives his theory of the seven steps of initiation. One way of picturing this is by naming the stages of the proces of the creation of the elixer of life. …Karlsson comes with his own theories connecting the seven runes with the seven chakras of Eastern philosophy.
See here and here for more background on Bureus runecross.

At this point it isn't to far of a stretch to draw parallels between the Roman god Vulcan and the Norse god Thor just as Manly Palmer Hall, a few paragraphs up mentioned: "Tubal-Cain with his mighty strength of the war god hammered his sword into a ploughshare."

There is a lot to figure out about Tubal Cain and what the connection to se7en is all about. To get some background on this we can read in the article Tubal Cain, the Secret Password of a Mason, that quote Josephus, Antiquities of the Jews, A.D. 93:

Adam and Eve had two sons. The elder of them was named Cain, which name, when it is interpreted, signifies a possession; the younger was Abel, which signifies sorrow. They had also daughters. Now the two brethren were pleased with different courses of life; for Abel, the younger, was a lover of righteousness, and believing that God was present at all his actions, he excelled in virtue, and his employment was that of a shephard. But Cain was not only very wicked in other respects, but was wholly intent upon getting, and he first contrived to plough the ground. He slew his brother on the occasion following: They had resolved to sacrifice to God. Now Cain brought the fruits of the earth, and of his husbandry; but Abel brought milk, and the first-fruits of his flocks; but God was more delighted with the latter oblation when he honoured with what grew naturally of its own accord, than he was with what was the invention of a covetous man, and gotten by forcing the ground; whence it was that Cain was very angry that Abel was preferred by God before him; and he slew his brother, and hid his dead body, thinking to escape discovery….

…God therefore did not inflict the punishment [of death] upon him (Cain), on account of his offering sacrifice, and thereby making supplication to Him not to be extreme in his wrath to him; but He made him accursed, and threatened his posterity in the seventh generation. He also cast him, together with his wife, out of that land. And when he was afraid that in wandering about he should fall among wild beasts, and by that means perish, God bid him not to entertain such a melancholy suspicion, and to go over all the earth without fear of what mischief he might suffer from wild beasts; and setting a mark upon him that he might be known, he commanded him to depart
And when Cain had travelled over many countries, he, with his wife, built a city, named Nod, which is a place so called, and there he settled his abode; where also he had children. However, he did not accept of his punishment in order to ammendment, but to increase his wickedness; for he only aimed to procure everything that was for his own bodily pleasure, though it obliged him to be injurious to his neighbours. He augmented his household substance with much wealth, by rapine and violence; he excited his acquaintance to procure pleasures and spoils of robbery, and became a great leader of men into wicked courses. He also introduced a change in that way of simplicity wherein men lived before; and was the author of measures and weights. And whereas they lived innocently and generously while they knew nothing of such arts, he changed the world into cunning craftiness. He first of all set boundaries about lands; he built a city, and fortified it with walls, and he compelled his family to come together to it; and called that city Enoch, after the name of his eldest son Enoch.
(Dee named his system of ceremonial magic after the apocryphal Book of Enoch.)
…Tubal, one of his children by the other wife, exceeded all men in strength, and was very expert and famous in martial performances. He procured what tended to the pleasures of the body by that method; and first of all invented the art of making brass.
In that last paragraph we again have the confirmation on the similarities between Tubal Cain and the craftsmanship and strength related to Thor or Vulcan.

Then we can take a look at the Genealogies of Adam and follow the line of Cain and see that Lamech was Cain’s fifth son. Lamech in turn had three sons: Jabal, Jubal, Tubalcain. So can we count Tubal-Cain as the eight generation, free of the threat that God made to Cain’s posterity in seventh generation?

From the wikipedia thread on Lamech descendant of Cain we can read:

Lamech first loses his sight from age, and had to be led by Tubal-Cain, the seventh generation from Cain. Tubal-Cain saw in the distance something that he first took for an animal, but it was actually Cain (still alive, due to the extensive life span of the antediluvians) whom Lamech had accidentally killed with an arrow. When they discovered who it was, Lamech, in sorrow, clapped his hands together, which (for an unclear reason) kills Tubal-Cain. In consequence, Lamech's wives desert him. A similar legend is preserved in the pseudepigraphic Second Book of Adam and Eve, Chapter XIII; in this version Tubal-Cain is not named, but is instead referred to as "the young shepherd." After Lamech claps his hands he strikes the young shepherd on the head. To ensure his death, he then smashed his head with a rock.

An alternate form of this negative attitude towards Lamech (such as Targum Pseudo-Jonathan) claims that even though Lamech did not kill anyone, his wives refused to associate with him and denied him sex, on the grounds that Cain's line was to be annihilated after seven generations. The poem is then given by Lamech to allay their fears. Other classical sources, such as Josephus, see the word seventy-seven as the number of sons which Lamech eventually had.
In another article called OOPARTS and Tubal Cain we can read:
There is a class of ancient artifacts such as iron nails found in solid rock, a delicate gold chain found in a lump of coal in the 1890s, or an ornate bell-shaped vessel inlaid with silver blasted from rock in a Massachusetts that are called Out Of Place Artifacts, known popularly as OOPARTs. They seem to suggest that someone had been manufacturing objects millions of years before the human race was capable of such fine and precise work or even before humans existed on this planet. These artifacts are, in essence, a form of proof that another intelligence had once walked the Earth, maybe before the dinosaurs disappeared and that those sophisticated beings probably originated in outer space given the fossil and geological records relied on by our modern day scientists. It is circumstantial evidence that, if accurate, provides us with the proof that some ancient sightings were of alien spacecraft.

One of the first of the Out of Place Artifacts (OOPARTs) I came across was a reference in several UFO books to some sort of "bell-shaped vessel" discovered during blasting in a quarry in Massachusetts in the mid-19th century. For some reason I have always envisioned this as a "gravy boat."

According to those UFO books, the original source was the Scientific American in 1851. The story was headlined "A relic of a by-gone age" although some suggested it was labeled as "A Curiosity."

The story, as reported in those other UFO books, was that the blasting in the quarry "threw an immense mass of rock… in all directions." Among the shattered debris, the workmen found a small metallic vessel in two pieces that when reassembled formed a "bell shape" about four and a quarter inches high and about six inches wide at the top. The whole thing was something like an eighth of an inch thick.

The report continued, saying that it was made of zinc with "a considerable portion of silver." The sides were inlaid with silver and the carving was "exquisitely done by the art of some cunning workman." The magazine concluded, again according to all those other UFO books, that the find was worthy of additional investigation because the vessel was extremely old, pre-dating the first inhabitants of the continent.

...

On closer examination of the Scientific American, it begins to look as if the mark at the end of the sentence that I thought originally was an artifact caused by the microfilm process, and right after the word Tuba, is an "L" that slipped out of alignment and into the margin. This means the name is a reference to Tubal Cain and Tubal Cain probably wasn’t an early reference to one of the first residents of Dorchester County, but was a descendent of Adam and Eve. Tubal Cain refers to blacksmiths from antiquity and the original Tubal Cain supposedly worked with bronze and iron in the far distant past and no where near the New World.

Here is something else from outside the UFO field (and that I wouldn’t have known if it hadn’t been for access to the Internet), Tubal Cain is a secret Masonic phrase, and something that certainly wasn’t well known in 1852. So now the question becomes is this tale of a metallic vessel found in solid rock true or does it have some significance to the Masons and the use of Tubal Cain is the clue. I confess that I don’t know. I am more than a little disturbed to learn of the history of Tubal Cain and the reference to it, or him, in this particular article. There is no reason for those other writers to have made anything out of the reference, unless they themselves were Masons and knew the code.
And from this site in an article about Tubal-Cain:
...according to the apocryphal book Enoch, the sons of God taught people the use of metals; which would seem to imply that Tubal-cain was a direct descendant of the Almighty, and that God's children had a thing for girls from the wrong side of the tracks.
Before we leave this toic you got to take a look at this: Tubal-Cain Industries.

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A Bond for all the Ages: Sir Francis Bacon and John Dee - The Original Illuminati 007
by Leo Zagami, Dec 16, 2006



Background: Leo Lyon Zagami was, until recently, a high level member of the Italian Illuminati, a 33rd degree freemason, a true insider and a high-member of the infamous Freemasonic P2 Lodge. He was the "prince", prepared to take over after the older Illuminati "king", Licio Gelli. He is of Illuminati aristocrat bloodline and therefore involved in the Illuminati Order since childhood.

However, Leo decided he'd had enough of all the evil he was exposed to, and a part of, and the horrifying Satanic, black magic rituals, mind control and torture that was going on inside the lodges, behind closed doors. So he left everything and fled to Norway, where he is currently residing. Since he left, he's been harassed and tortured and had his life threatened.

He realized that the only way to hopefully stay alive is to expose to the world what he knows and make himself known. History shows that this is one of the best ways to survive, although nothing is for certain. Leo quickly started this website, Illuminati Confessions, where he reveals the secrets to the world, one by one. I strongly advise you to check it out and download it to your computer, in case they decide to silence him for good, and this website will be shut down. There is a lot of extremely important information here, and much of it can't be found anywhere else. Leo has also been a guest several times at Greg Szymanski's radio show.




Leo Zagami



he friendship between John Dee and Walsingham chief officer of Queen Elisabeth was a very special one indeed, as these two were working for Elisabeth's Intelligence Service. The intelligence community of the British illuminati yesterday as today still use the espionage technique's of illustrius illuminati John Dee the first agent in history to use 007 as his personal cypher. Dee was the man whom Ian Fleming modeled his 007 James Bond character on, the first and perhaps the best secret agent of the crown.

John Dee was the creator of the e MONAS HIEROGLYPHICA ('THE HIEROGLYPHIC MONAD')


John Dee


This is John Dee's illuminati treatise on symbolic language. Although published in 1564 at age 37, he considered it valuable throughout his life. The Monas is a highly esoteric work. In it he claims himself in possession of the most secret mysteries of the true illuminati . He wrote it in twelve days while apparently in a peak (mystical) state: “[I am] the pen merely of [God] Whose Spirit, quickly writing these things through me, I wish and I hope to be.” He claimed it will revolutionize mankind :

MONAS HIEROGLYPHICA
('THE HIEROGLYPHIC MONAD')
by Dr. JOHN DEE
Antwerp, 1564.



Translated by J.W. Hamilton-Jones, 1947 its something the western illuminati seem to love very much as John Dee stated "Here the vulgar eye will see nothing but Obscurity and will despair considerably "... so the illuminati are free to practice in secret the Royal Art of Alchemy while the sheep don't care as usual and live of football.


007


In 1582 John Dee (1527-1608) met a younger man, the dubius Edward Kelley, a kind of Elizabethan Michael Holligshead. Kelley had a reputation as a mountebank and occult charlatan who made a living selling quack alchemical concoctions; tradition holds that he had his ears cut off for forgery and went about with a skullcap to hide the fact. With Kelley acting as 'scryer' -seer- Dee sought to communicate with spirits and basically know the mind of God. By doing so these two were ending in the hands of Jinns who communicated using a 'shewstone' one of which, a crystal ball, can be seen today at the British Museum (when the British Intelligence is not using it obviously). Kelley 'saw' the angels Annael, Uriel, and others , including the strange spirit girl, Madimi clearly a Jinn . These Sessions are accompanied still nowadays by the sounds of thunder, blaring trumpets, and a kind of roaring.

'The Angels' or Jinn to be more accurate communicated their knowledge to Kelley by pointing to the letters of a strange language, which Dee called Enochian, referring to Enoch of the Old Testament, who spoke with God. Dee wrote down the letters as Kelley called them out. The atmosphere of the spirit world Kelley saw has almost a gothic feel to it , he spoke of the four Watchtowers, cubes of infinite dimensions, the Calls of the Aethyers, and the qliphothic demons that the true mage must learn to command. A confidence man and swindler, Kelley was not above using his position with the Jinns to his personal advantage as it often happens with the illuminati. Not surprisingly A. Crowley wrote he was also the reincarnation of Kelley and recordings of Crowley's Calls of the Aethyers are commercially available around the internet on cd's for those of you who like it a bit dark and definitely very spooky...Aum..Aum...

Dr. Dee's learning was far and wide, a brilliant mathematician, whose study ranged from geo-cartography and calculus which was vital in navigating the New World for explorers, to astrology, alchemy, the Cabala, cypher writing, religion, architecture, and science. In short, Dee's metaphysics were a 'red' cross of the Hermetic tradition with a strong dose of mathematics. His library at the riverside village of Mortlake was considered the finest private collection in Europe containing thousands of bound books and handwritten manuscripts devoted to philosophy, science and esoterica. In comparison the University of Cambridge at the time had a mere 451 total books and manuscripts in their possession.

Noel Fermor in the journal Baconiana wrote that, "The Earl of Leicester's father, the Duke of Northumberland, employed Dee as a tutor to his children so that they would have a sound scientific upbringing.

Northumberland became a notable scientist with a strong leaning toward mathematics and magnetism.

Anthony Wood in his Athenae Oxoniensis, wrote "that no one knew Robert Dudley better than Dee." So it was quite natural for Leicester to introduce Dee to Elizabeth as she was to become the new Queen and it wasn't long before Dee advanced to become the court astrologer.

(Leicester signed his letters to Elizabeth with two circles containing dots symbolising he was her "Eyes")

Elizabeth was very much interested in the occult. Dee was responsible for choosing the most auspicious date for Elizabeth's coronation which was on January 15th, 1559. The Queen was so impressed by Dee that she eventually traveled with her court to Mortlake, for the purpose of seeing his great library.

Dee has been defamed through the centuries as a necromancer, but it's the opinion of many writers that his angelic-cabalistic- alchemical work, his Philosophers Stone, the "Monad Hieroglyphica" (1564) may have been a cover for covert operations carried on in the name of her majesty. The 007 was the insignia number that Elizabeth was to use for private communiqués between her Court and Dee.

Dee signed his letters with two circles symbolising his own two eyes and indicating that he was the secret eyes of the Queen. The two circles are guarded by what may be considered a square root sign or an elongated seven. For Dee, seven was a sacred cabbalistic and lucky number. (Richard Deacon)

When the Spanish Armada loomed over the English Channel it was Dee as the wise sage who suggested to hold the course and be still. He had correctly anticipated that devastating storms would destroy the mighty Spanish Fleet and that it would be best to keep the English ships at bay. Some have suggested that it was Dee himself who conjured up that storm. Whatever it was that allowed England to defeat the Armada, John Dee was having his finest patriotic moment. One can see why some commentators have Dee associated with being the inspiration for the protagonist Prospero (to hope for the future) from The Tempest. Francis Yates in her seminal exploration Majesty and Magic in Shakespeare's Last Plays, comments, "Dare one say that the German Rosicrucian movement reaches a peak of poetic expression in The Tempest, a Rosicrucian manifesto infused with the spirit of Dee, using theatrical parables for esoteric communication?"

Dee's wisdom of nature even extended into the field of architecture where Francis Yates in The Theatre of the World states that James Burbage consulted Dee on the design of the first theater. Later, "The Globe was created, says Yates, because in the Burbage tradition the design was to amplify naturally the voices of the plyers." This was accomplished by the geometrical resonance of the circled dome. Burbage relied on Dee's extensive architectural library for this construction.


Sir Francis Bacon


Little has come down to us in terms of records of Francis Bacon and John Dee knowing each other but on the afternoon of August 11, 1582 there was an entry in Dee's journal that they met at Mortlake. Bacon was 21 years old at the time and was accompanied by a Mr. Phillipes, a top cryptographer in the employ of Sir Francis Walsingham who headed up the early days of England's secret service. They were there according to Ewen MacDuff, in an article, "After Some Time Be Past" in 'Baconiana', (Dec.1983)" to find out the truth about the ancient Hebrew art of the Gematria- one of the oldest cipher systems known, dating from 700 B.C.

They were seeking to discuss this with Dee because he was not only one of the leading adepts of this field, but a regular practitioner in certain levels of Gematria." Also, David Kahn in The Codebreakers suggests that because of Dee's great interest in the 13th century alchemist Roger Bacon, that he may have introduced Bacon to the works of Roger Bacon, "which may help explain the similarities in their thought."


The Precarious Politics of Hermetic Tradition in the King James Reign

There is no doubt of John Dee's ubiquitous influence during the Elizabethan age. When James became King, Dee's ideas on magic were no longer appreciated. James unfavorable and fearful attitude toward the occult was the opposite of Elizabeth's. Bacon became well aware that it was necessary to be very careful while advancing his scientific ideas to James and that any trace of Dee's weird angelic-alchemical study could jeopardize his own projects from taking hold. Bacon's observation of the mis-treatment bestowed upon Dee by James served to reinforce that it was a different era and that the need to practice that Shakespeare maxim, "Discretion is the better part of valor" was imperative to anyone with a sweet disposition toward magic and mathematics or a secret society. Dee was even derided in the Ben Jonson play The Alchemist perhaps to placate James, yet another signal that this was an end of the liberal Elizabethan attitude toward Hermeticism. So it's not surprising that Bacon chose to hold back his Rosicrucian utopia The New Atlantis from publication until after his death as it portrayed a future world in which man could co-exist with his fellow man without the divine right of kings and the new tools that the magic of science would one day bring could also be in harmony with nature as well.

But it was Dee's colonization dream many years before who referred to the new world as "Atlantis." He would have been proud to have read Bacon's New Atlantis and seen Bacon's sympathetic portrayal of him as the magician Prospero, of The Tempest.

Francis Yates in The Rosicrucian Enlightenment suggests that," in Bacon's writings there is nowhere to be found any mention of Dee or his famous Monas Hierglyphica. Yates makes a further point by saying that, "It is a well known objection to Bacon's claim to be an important figure in the history of science that he did not place sufficient emphasis on the all-important mathematical sciences in his programme for the advancement of learning, and that he ignored these sciences by his rejection of the Copernican theory and of William Gilbert's theory of the magnet.

Bacon's avoidance of mathematics and Copernican theory might have been because he regarded mathematics as too closely associated with Dee and his 'conjuring' and Copernicus as to closely associated with Bruno and his extreme Egyptian and magical religion. This hypothesis is now worth recalling because it suggests a possible reason for a major difference between German Rosicrucianism and Baconianism. In the former Dee and his mathematics are not feared, but Bacon avoids them; in the former Bruno is an influence but is rejected by Bacon. In both cases Bacon may have been evading what seemed to him dangerous subjects in order to protect his projects from witch hunters, from the cry of 'sorcery' which as Naude' said, "could pursue a mathematician in the early 17th century."

It should be remembered that Bacon had a cautious and scientific approach to mathematics along with his great interest in cyphers.

Peter Dawkins in his book "Francis Bacon Herald of the New Age" would strongly disagree with Yates on Bacon's avoidance of mathematics. He writes, "nothing could be further from the truth: for number is a cypher and geometry a symbol for truth, and Francis Bacon was intensely interested in and a master of cipher and symbol, and of rhythm in language, using them repeatedly throughout all his works in various cryptic ways--for he saw mathematics as a vitally important occult or mystical science, and used it accordingly.

Mathematics coupled with analogy and allegory, constitute a principal means to the discovery of what Bacon has enticingly hidden." Dawkins later emphasizes that, "Francis Bacon considered mathematics to be a branch of metaphysics, capable of giving insights into the highest 'Forms' or archetypes--the laws and intelligences of the universe. Consequently, like Dr. John Dee, his early tutor, he was fascinated by mathematical cypher in both its numeric and geometric forms, and with its magical use. Bacon gives both mathematics and analogy which he considers a science and calls "grammatical philosophy," a high place in his Great Instauration; which, when used together help to unlock the doors to that which Bacon has deliberately concealed-- including certain mysteries hidden in the Shakespeare plays. For instance, the two great books published in 1623 were the Shakespeare's Folio Comedies, Histories & Tragedies and Bacon's De Augmentis Scientiarum {the philosophical background and purpose of the Shakespeare plays} two masterpieces published together, since they are as twins, each being a key to unlock hidden treasures in the other-- two relating to the twin faculties of the mind--imagination and reason--and both drawing upon the third faculty, memory." It should be noted that the following year 1624 the cypher book, Cryptomenytices was published and Dawkins points to this as "providing the cipher keys to open the 'crypt' of Rosicrucian wisdom hidden in both the philosophical and the poetical works of art of this great Master."

Yates admits to being a Stratfordian and of course does not realize the extent of Bacon's wisdom in protecting himself from censorship. She says, "We begin to understand that The Tempest was a very bold manifesto, and that Shakespeare was braver than Bacon."

If Yates could only glimpse how ahead of the game Bacon was she could only burst out and laugh at herself for writing this. But she is not the first modern day Shakespeare critic to underestimate Francis Bacon's foresight to write under a mighty pen-name and steer his Secret Free-Masonry-Group at the same time.

It's like asking was Twain braver than Clemens? The absurd logic of this could be solved if Stratfordians applied the Baconian method (inductive logic with trial and error) into the Shakespeare Authorship. Go one step further using this method of inquiry to cross reference a lost connection missing between the Rosicrucian literature of The Fama and the Confessio, The Chemical Marriage of Christian Rosenkrantz, The New Atlantis, The Tempest, with The King James Version of the Bible, The Advancement of Learning and Dee's Monad Hieroglyphic. Somewhere there lies a common thread, a code, meant for those who would cross reference all these words. Perhaps when the code is broken we will have the equivalent of Prospero's buried staff and recognize the impact of Dee and Bacon's relationship with their dedication to the enlightenment of all.

What Bacon learned from Dee outside of the importance of cyphers was not to have one's political and esoteric-artistic identity defined exclusively by the outside world. There was inner power for Bacon that no matter what happened to him he could still sacrifice his name, bury his staff like Prospero and wield a protective persona to express his artistic views for himself and his secret group of "Good Pens." This is responsible wisdom in action as a response to difficult political pressures. For Bacon due to the out of the ordinary set of circumstances surrounding his birth this pressure became a discipline for him (all his life) to maintain and remember that old saying, "keep your friends close and your enemies closer." Bacon knew from first hand experience when he said, as Shakespeare, "sweet are the uses of adversity."

Manly P. Hall had a book, Orders of Universal Reformation in which a woodcut from 1655 by Jacob Cats, shows an emblem of an ancient man bearing likeness to John Dee, passing the lamp of tradition over an open grave to a young man with an extravagantly large rose on his shoe buckle. In Bacon's sixth book of the Advancement of Learning he defines his method as, Traditionem Lampadis, the delivery of the lamp.

Mrs. Henry Pott writes in "Francis Bacon and His Secret Society, "The organization or method of transmission he (Bacon) established was such as to ensure that never again so long as the world endured, should the lamp of tradition, the light of truth, be darkened or extinguished."

In closing a comment from Noel Fermor from Baconiana 1981 "After all, in John Dee we have a man who had a profound influence on Renaissance thought and on the deep laid schemes of Francis Bacon for the betterment of mankind. Dee wrote, "Farewell, diligent reader; in reading these things, invocate the spirit of Eternal Light, speak little, meditate much and judge aright."

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Sir Francis Bacon

Sir Francis Bacon was always accepted as the younger son of Sir Nicholas Bacon however there exist reasonable grounds to suggest that he was actually the secret son of Queen Elizabeth I and the famous explorer, Sir Francis Drake. He is an enigmatic figure and some actually believe he is the true author of the works of Shakespeare, and Christopher Marlowe.

Bacon held a fascination with mysterious codes and ciphers, which could link him to the enigmatic inscribed stone discovered in the Money Pit. In fact, a Dr Orville Ward Owen, a follower of Bacon's ciphers followed instructions in a Baconian cipher and discovered a mysterious underground chamber beneath the bed of the River Wye, in the West of Britain. Although it was disappointingly empty, further Baconian ciphers were to be found carved on the walls.

In the opinion of Dr Owen, Bacon had always intended to conceal his manuscripts below the Wye. This was in the tradition of the ancient Visigoths who redirected rivers and buried their dead beneath in secret tombs. Issues of plagiarism were particularly of issue at this time, with censorship developing into a heated area of debate.

Could it be that Bacon, feared that his secret might be discovered had had second thoughts, deciding that the River Wye location was not secure enough? To link Bacon with Canada, in 1610, King James I granted Bacon land in Newfoundland, connecting him to the proximity of Oak Island.

Sir Francis Bacon was familiar with the science of preserving manuscripts in mercury. This coupled with his fascination in secret chambers points directly to the Money Pit. The finding of ancient flasks containing mercury plus the recovery of a piece of mysterious parchment allows the theory to become more credible.

Consider the expert knowledge of geography which could have been made available to Bacon, had his father really been Sir Francis Drake. The acclaimed explorer could have quite possibly come across Oak Island on his travels and the pit, maybe a natural shaft, would have made the ideal location for the hiding of such valuable documents in a protective bath of mercury.

It is certainly possible that Bacon had the contacts and status to arrange a secret burial of his valuable manuscripts in a preservative mercury bath. By making use of much older techniques, present at the Money Pit, Bacon was just adding to the mystery lying beneath Oak Island.

He was connected with Shugborough Hall in England, the site of a strange inscription referring to Arcadian treasure. This same treasure is linked to Rennes le Chateau in France and the Knights Templar.

Surely, with his contemporaries familiar with the mysterious disappearance of the fabled Arcadian treasure from France and the possibility that Sir Francis Drake could have informed his illegitimate son about Oak Island, this connection is worth consideration. Had the Arcadian treasure made it to Oak Island through the Knights Templars' journey to Canada, the location would be an ideal place to hide further valuable items, especially if Bacon himself was a follower, fuelling his interest in ciphers, a typical trait of the Masons.

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BEASTS OF HEAVEN AND EARTH HAVE COME ALIVE 2008
Quote

This is major news! please pin. and be informed that our consciousness
is being ripped apart already!

Reference: ISAIAH 13 / 1.2.3. ...."to fulfill my wrath"....

Friends: *This is a research document. Please read carefully. Thank you.

To Tom Horn:

I am a researcher into paleobotany and astro-archaeology in CHINA. (I am an Australian/American by the way). Recently after listening and relistening to Radio Show 4 with Steve Quayle, I went to task with all
my resources on your behalf to help you qualify the 2892 BC date and the ENOCHIAN connection.

YOu of course if I do hear back from you can add to this detail. But as I listened to your show and found the vague comment of BIBLICAL scholars adding information on this date, I went to task to see if
I can find any info on this.

My background in the last 3 years has been the study of cosmogenesis and the resurrection of lost cultural artifacts that were based in the Indus-Valley cultures and Egyptian cultures from 3200 BC. Which is known as
The FLIGHT OF ISIS who is pursued by the DRAGON (ENERGY and demons?)

Below is the precis EMAILS that ensued to support the 4900 configuration and what actually was happening in 2892 BCE on planet Earth.

I'm certain that the discussion of the BEASTS OF HEAVEN COME
ALIVE (from my works on the Denderah Zodiac
over the last 2 years!) is part of the LION's GATE COSMOLOGY and the lifting
of the paw, Apollyon that holds the hells-gate closed.

****EMAILS to STEVE and my colleagues who are involved in cosmogenesis and plasma galactic bursts 3300 BCE


Steve Quayle's last reported radio show was a bit of mind-tester on the ENOCHIAN revelation that in 2008 was the beginning of an official breakthrough of the BEASTS into our dimensions.

It began here: [link to www.ahrimangate.com]

and I began wondering what the 2892 BC date was all about. It was ENOCH's configuration based on a solar clock that by 2008 or 70 x 70 generations we would awaken the BEASTS of Heaven and they would begin entering into our Earthly domain. Well, it has been known since 1979 and before that this has been a possibility.

I worked out the following to realize that 2892 was a real date, but had less to do with floods and cataclysms

Steve:

I.
Thanks for reading the former Emails. From the consecration of the closing of the AGE OF ARIES in 98 BCE, the Temple of Hathor's Denderah Zodiac was transmiting it's messages in math and story and sealed inside the temple.

There are some distinctive calculations that do fit in with your 2892 value. There are 2 cycles of sun changes that have been noted to weave between one another a 700 year Brown Solar cycle and a 1050 year Boyle Cycle (from Charles Boyle research available upon request)

Lets focus on the 700 year cycle whereby a starting point in a solar cycle would suit ENOCH's mathematical mindset.

2892 - 700 = 2192 -700 = 1492 - 700 = 792 - 700 = 92 BCE ( a place
to comment on the transient place of URANUS crossing the Hathor Temple ( a coincidence? ) but the temple was completed in 98 BCE...to continue

92 - 700 = 688 AD + 700 = 1388 AD plus quarter cycle of 175 = mini ice
age ends 1483 AD plus 525* = 2008 !!!!!!!

Now that is interesting, the mini ice age finishes off with a 1/2 cycle from BOYLE cycle.

So ENOCH may have calculated this computation based on the value 7 as a key, 700 years for example

or 7 cycles of x 700 years = 4900 years...now that makes perfect sense.

FOR THE BOYLE's CALENDAR for the CULDEE science: 1050 value....

2007 was chosen minus 525 minus 525 = 957 AD ** minus 5 equals 952 AD noted on the ROCK ART in New ENGLAND 957-525 = 432 - 525 = 93 BC - 525 = 618 BC - 525 = 1143 - 525 = 1668 - 525 = 2193 - 525 = 2718 plus
175 years (a quarter cycle ending from the 700 cycle to complete the count !) the 2892 BC value.

FOUR CYCLES of 1050 plus one 1/2 cycle plus a 1/4 cycle of the 700 cycle !
or FOUR CYCLES of 1050 plus a 700 year cycle to complete the count.

The point is that the 700 year cycle and the 1050 cycle cross at the head and the tale of the 4900 count.

II.
IN TEANGA (secret language of light the CELTS USED) the missing 5 years as a cache-code.

5 cryptic years (-1 -0 0 +0 +1) 5 years meaning the CULDEE were SHORT FIVE YEARS...when they engraved a value of 952 it was in the Gregorian count 957, when they wrote 2007 it would be 2012, the did write 2002 which would be 2007/8

-98 BC plus 525 = 427 +525 = 952 * recorded on rocks in NEW ENGLAND plus 525 = 1477 (mini ice age) plus 525 = 2002 AD

conversely:

- 98 STARTING POINT "ZERO" IS : -97 plus 525 = 428 + 525 = 953
+ 525 = 1478 + 525 = 2003 (5 year discrepancy to 2008)

III.
Let's move to a topic of unique length and breadth. Cosmic portals that are
known to exist and have now been registered in our history by sargel 18 and varion 11 for example:

Steve:
WEll, was I asleep on the Beasts coming into our domain. For sometime I knew about sargel18 and varion11 who independently work to make the rebuttal against those that say these beasts of other dimensions don't exist. Well they do. I was aware for some time that my photographs have revealed this. Sprites and elementals for example But for these creatures of the universe to move into our world seems a bit like the movie CONSTANTINE.

See this link...a place to start: [link to www.sargel18.com]

JJ Hurtak was keen to represent a vortex-warrior who has living proof beyond the normal sasquatch that these demons and other dimensional beings are coming into our world.

I have been close to that New Jersey reservoir one night when going out to that area near NYC, and had a whopping ufo experience. But the point is that a vortex is a vortex and this one is big! and inspired the writings of the script Ghostbusters.

Also have a read of Varion 11 's site [link to www.varion2012.com]

So the idea that the BEASTS of HEAVEN come alive is something that seems so vile and arcane to our normal senses that we actually forget that they can come knocking at any time, especially if...too many portals open by mistake! or by design.

I sent Steve the links to the Denderah Zodiac research i wrote and mentioned to him that those beasts are mathematical moments frozen in stone's space time to talk about the cosmic beasts of heaven who were the representatives in 98 BC on who are present when the precessionary age closes.

following are some links on the work I have done on the Lion's Gate Cosmology and the knowledge from as far back as PERSIA that the gateway was beneath the front foreleg/paw of LEO at REGULUS also known for it's anti-energy point: APOLLYON.

In the 4 shows that I did with Radiorbit's Mike Hagen the conclusion of the
last shown below was a real powerful proof that on side is the CHRIST LIGHT of the universe that pours down through the Flower of Heaven
held up by Virgo and on the other side is the Greatness of Truth at the Lion's
Gate at LEO/CANCER Boundary. Beneath it's front paw is the doorway to the powers held back by Arch Angel Raphael in 2892 BCE.

footnotes:

[link to www.etheric.com]

Peratt, on the TP9 EVENT, Torus Plasma 9 event witnessed during this galactic core energy volleys that change the DNA of our higher spiritual platforms:
"Characteristics for the Occurrence of a High-Current Z-Pinch Aurora as Recorded in Antiquity Part II: Directionality and Source"


[link to www.cyberspaceorbit.com]

[link to www.cyberspaceorbit.com]

[link to www.cyberspaceorbit.com]

[link to eyeofsiloam.com]

It is my contention that the BEAST that we fear is the extreme imbalance as 2008 time-code is passed, this will released as indicated in Hurtak's KEYS OF ENOCH. the negative dark forces emanating from the black cube that
is the antithesis of the WHITE STONE that brought the lines of Jesus through the Kings of this Earth. More than that the NEPHILIM which you specialize in are in fact the wicked virusesthat are small but do great damage
and also these demons that SARGIL 18 reveal exist and come through portals.

__________________
Torry


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Each of the Elemental Tablets of the Enochian system is a 12 by 13
square board. Figure 1 shows the general layout of a Tablet, with the
various types of squares labeled. These squares can be re-arranged
into a three-dimensional structure, which is the Temple of the ele-
ment.

The squares of the Tablets are arranged according to a regular hierar-
chical scheme, and each level of the hierarchy defines a particular
part of the Temple.

The Great Central Cross of each Tablet is made up of the seventh row
across the Tablet, and the sixth and seventh columns. The cross
contains the highest three levels of the Tablet´s hierarchy.

The three Names of God come from the horizontal line, and are formed
by taking the letters in groups of three, four, and five letters. The
Names for the Earth Tablet are thus MOR DIAL HCTGA.

The Elemental King of the Tablet has his name formed by an inward
clockwise spiral around the center of the Tablet. In the Earth Tablet,
the King´s name is ICZHIHAL.

The Six Seniors represent the forces of the planets in the Tablet, and
their names are formed by reading outwards along the arms of the
cross. For the Earth Tablet, these names are ACZINOR, LZINOPO,
ALHCTGA, LIIANSA, AHMLICV, and LAIDROM.

These names from the Central Cross are used to make up various parts
of the upper Temple. The next set of squares are the Sephirotic
Crosses, which are the five by six crosses centered in each Lesser
Angle of the Tablet. These crosses make up the floor of the upper
Temple, and the ceiling of the lower Temple, and project their force
downwards into the Temple proper.

The four Kerubic squares of each lesser angle are the four squares
above the horizontal arms of the sephirotic crosses. These squares are
used to make the four outer pillars of the Temple.

Finally, the remaining squares below the arms of the Sephirotic
crosses are the servient squares, which represent the most material
manifestation of the force of the tablet. These squares are rearranged
to make the floor and altars of the Temple.



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